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On The Edge Of Something New

This article appeared on page 14 of The Australian on the 28th of July, 2010. AT first glance, The Verge, the story of a group of 20-somethings in a share house, looks like just another reality television show, giving the audience voting rights on plot outcomes. But Adam Lomsargis, managing director...

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The next Apple TV revealed

Posted by triptych | Posted in State of the industry | Posted on 30-05-2010

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If you thought that Apple’s foray into the world of home entertainment died with the last iteration of the Apple TV, you’re quite wrong. A tip we’ve received — which has been confirmed by a source very close to Apple — details the outlook for the next version of the Apple TV, and it’s a doozy. According to our sources, this project has been in the works long before Google announced its TV solution, and it ties much more closely into Apple’s mobile offerings. The new architecture of the device will be based directly on the iPhone 4, meaning it will get the same internals, down to that A4 CPU and a limited amount of flash storage — 16GB to be exact — though it will be capable of full 1080p HD (!). The device is said to be quite small with a scarce amount of ports (only the power socket and video out), and has been described to some as “an iPhone without a screen.” Are you ready for the real shocker? According to our sources, the price-point for the device will be $99. One more time — a hundred bucks.

Not only will this be priced to sell (like hotcakes), it seems that Apple is moving away from the model of local storage, and will be focusing the new ATV on cloud-based storage (not unlike Amazon’s streaming scheme, though we’re talking instant-on 1080p, a la Microsoft). For those still interested in keeping their content close, there will be an option to utilize a Time Capsule as an external storage component, but the main course will be all about streaming. The new ATV will do away with its current OS X-lite variation as a operating system, and will instead adopt the iPhone OS for the underlying experience. There’s no word at this point on whether apps and the App Store will be coming along for the ride, but it makes sense given the shared platform. Of course, scaling iPhone apps to that 52-inch plasma in your living room isn’t exactly a no-brainer. Perhaps not surprisingly, Apple won’t deliver the ATV news at the upcoming WWDC– that event will be focused on the capabilities of the new iPhone — but development on the product is most definitely full steam ahead. Is your TV screen the next battleground in the platform wars? Survey says: hell yes.

Shooting and Post Production

Posted by triptych | Posted in Uncategorized | Posted on 24-05-2010

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Our post production is well underway and we have 3 episodes completed in terms of our shooting calendar. We will be shooting more in the coming weeks with some exciting announcements in the media to come shortly. Keep an eye on all things Triptych.

Audiences, and Hollywood, Flock to Smartphones

Posted by triptych | Posted in State of the industry | Posted on 18-05-2010

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It might be hard to imagine watching “The Office” on a screen no bigger than a business card. But tens of thousands of people — by the most conservative estimate — are already doing just that.

As Hollywood shrinks its films and television shows for the small screens of cellphones, its assumptions about mobile viewing are being upended by surprisingly patient consumers.

“We all thought they’d be watching video clips in the checkout line or between classes,” said Vivi Zigler, the president for digital entertainment at NBC Universal, summing up the industry’s conventional wisdom. But owners of iPhones and other smartphones are actually watching long episodes and sometimes complete films, so a growing number of media companies are vying for people’s mobile attention spans.

Measured against TV ratings and box-office receipts, the mobile video audience is tiny today, but a range of companies, from Hollywood studios to local TV stations, all foresee an increasingly wireless world — and they don’t want to be cut out of the picture.

Some TV shows, like “The Office” on NBC.com, are streamed at no charge now, but there is a gnawing fear among media companies that they may be leaving money on the table by relying solely on revenue from advertising. And there is always the concern — whether it be on the Internet or on phones — that the new platforms could cannibalize the companies’ core businesses.

Accordingly, much of the mobile TV experimentation is happening on the paid side, through packages sold by individual carriers like AT&T and Verizon and through subscription services that will be coming soon.

“The economics around this are exhausting,” Ms. Zigler said.

Joining the wireless equivalent of a land rush, last month some of the biggest local TV station owners in the United States announced a joint venture to transmit their content to viewers on the go. It is most likely years away from operation.

The stations would transmit to phones over the airwaves, much like Flo TV, a unit of Qualcomm, which has invested about $1 billion in mobile video distribution. The service sends channels like ESPN, Fox News and MTV to phones.

“Putting the concepts of mobility and watching video together is a natural, and we’re seeing it really grow right now,” said Flo TV’s president, Bill Stone.

Mr. Stone says the average Flo user watches 30 minutes of video a day. So far, though, few people are ponying up $10 a month or more for the service.

But that is not stopping other media companies from trying to charge for walled gardens of content. Beginning later this year, Bitbop, a product of the News Corporation’s Fox Mobile Group, will stream TV episodes to smartphones for $9.99 a month.

The News Corporation declined an interview request, but Joe Bilman of Fox Mobile, who is described as the chief architect of Bitbop, said in a statement in March that “the marriage of on-demand content and mobility has the power to ignite a fire in the smartphone space.”

Along with all-you-can-watch plans like Bitbop, there are à la carte stores for mobile viewing popping up. Blockbuster, the beleaguered movie rental chain, started selling movies for phones in the last month. The Oscar winner “The Hurt Locker” costs $3.99 for a 24-hour rental period.

But no one can say how big the market is for costly video delivered to phones. Most households already pay monthly cable or satellite TV bills. And those distributors are already starting to circle the mobile arena.

Mr. Stone would not say how many subscribers Flo has, citing relationships with its wireless carrier partners. But he acknowledged that the market was “early,” and would not say when Qualcomm expected Flo to turn profitable.

On top of the paid services, there is perhaps the simplest one of all, which is free and supported by ads. When NBC.com is reached from a smartphone, it typically takes a few seconds for the episode to start playing, but the streaming is surprisingly reliable on a 3G network. Similarly, CBS gives away an iPhone application for TV viewing.

Many media companies are distributing their wares several different ways, since as J. B. Perrette, the president for digital and affiliate distribution for NBC Universal, put it, “we don’t have an answer as to which one is going to win out.”

From services like Flo, networks receive subscriber fees. From their own Web sites, networks may find it easier to customize ads to individual viewers.

While the audience for mobile TV is small at the moment, it is growing rapidly. Roughly 17.6 million people in the United States watched video on their phones in the fourth quarter of last year, according to the Nielsen Company, up from 11.2 million 12 months earlier. They watched an average of three hours and 37 minutes of mobile video a month.

By way of comparison, Americans who watch television watch on average 153 hours of traditional TV a month.

Eric Berger, the senior vice president for digital networks for Sony Pictures Television, said the increase in mobile-viewing minutes correlates to the surge in smartphone sales. Sony has found that mobile visitors to its online video site, Crackle, watch movies for an average of 26 minutes. About 20 percent of visitors finish the movies. Mr. Berger said he thinks that people tune in to movies that they have already seen and watch portions of them again.

Many media researchers still maintain that viewers gravitate toward the best available screen, defending TV as the medium to beat. If a parent is watching on the living room TV set, a child may choose to watch something else on his or her phone.

“It’s becoming more mass market than it was, say, two years ago,” Mr. Berger said of mobile TV.

Similarly, Ms. Zigler has found that 60 percent of mobile visitors to NBC.com are coming from home, indicating that some people do not mind watching comedies and dramas on a palm-size screen even when a big-screen TV is nearby. “It’s pretty remarkable,” she said.

But bandwidth constraints are a big concern. Blockbuster’s streaming service, for instance, does not yet work on the iPhone, which is sold by Apple, with service by AT&T.

The iPhone is “a little challenging,” said Scott Levine, vice president for digital at Blockbuster, citing the heavy bandwidth demands the phone places on AT&T’s strained network. “We have to think about how to make 3G work with the carriers. Above all, we want it to be a good experience for users.”

Carriers say they are gradually introducing next-generation networks that will be better suited for widespread video viewing. And Kay Johansson, the chief technology officer for MobiTV, said his company and others kept finding ways to squeeze more data through the existing lines.

But in the meantime, ventures that rely on over-the-air spectrum — like Flo and, someday, the one announced by local stations — say they can deliver video to mobile customers much more efficiently. Both factions are confident that people will increasingly want to watch video on the go, whether live over the airwaves or on demand over a wireless carrier’s network.

“The TV at home is just going to be a bigger screen,” Mr. Johansson said.

Jenna Wortham contributed reporting. Story by BRIAN STELTER of the New York Times

Social media’s influence and power: its genetic

Posted by triptych | Posted in Uncategorized | Posted on 17-05-2010

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New research on social media claims a genetic basis for the recent success of Facebook, YouTube, Twitter. Article printed in Digital Media (Australian online media) – http://www.digital-media.net.au/article/social-medias-influence-and-power-its-genetic/517058.aspx